The surround panner also featured fully automatable controls for front, front-rear, front-to-rear, and centre percent divergence.Ī new plug-in came with Pro Tools 5.1 to help to work with Surround. The Output window allowed you to view and control the panning of each track with an X-Y panner display and a 3-knob panning mode. Surround pan controls were integrated into the Pro Tools interface for the first time, with each track supporting independent panning on its outputs and sends. Pro Tools 5.1 brought stereo tracks to all versions as well as Quad (2+2), LCRS (3+1), 5.0, 5.1, 6.0, 6.1, 7.0, and 7.1 tracks to Pro Tools 24 MIX and MIXplus Systems. Beat Detective came in Pro Tools 5.1 for TDM systems only and for music users it changed the way we edited music forever.
To handle all these extra channels, we saw the arrival of multi-mono and surround versions of plug-ins as well as a new I/O window. 2000 - Pro Tools 5.1 - This was the first version of Pro Tools to support surround sound, from LCR through 5.1 up to 7.1.
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